Born in Moscow. In 1991, she graduated from the conducting-chorus department of the Gnesin Music College, in 1994, she completed her studies at the conducting-chorus department The Gnesin Academy of Music. She graduated from the vocal faculty of The Gnesin Academy of Music in 1996 (L.Yaroslavtseva’s class).
The following year she became a probationary member of the Bolshoi Opera, and, in 1999, a company soloist.
Petrovna, Dunyasha, Lyubasha (Rimsky-Korsakov’s The Tsar’s Bride)
Old gipsy woman (Rakhmaninov’s Aleko)
Princess Linetta, Princess Clarice (Prokofiev’s The Love for Three Oranges)
Marta (Tchaikovsky’s Iolanta)
Amelfa (Rimsky-Korsakov’s The Golden Cockerel)
Zakharyevna, Basmanov (Tchaikovsky’s The Oprichnik)
Polina, Governess (The Queen of Spades)
Vlasyevna (Rimsky-Korsakov’s The Maid of Pskov)
Vanya (Glinka’s Ivan Susanin)
Bobylikha, Lehl (Rimsky-Korsakov’s The Snow Maiden)
Blanche (Prokofiev’s The Gambler)
Olga (Eugene Onegin)
Mary (Der Fliegende Hollander)
Fortune-teller (Prokofiev’s The Fiery Angel)
Wagner (Desyatnikov’s The Children Of Rosenthal)
Matriosha, Mavra Kuzminichna (Prokofiev’s War and Peace)
Xenia’s nurse (Mussorgsky’s Boris Godunov)
Alkonost (Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh and of the Maiden Fevronia)
Evgenia Segenyuk has a rich concert repertoire. Tours abroad.
(c) Text by Bolshoi Theatre